Biographical Background

Jorge Morel made his debut at Carnegie Hall in New York City in 1961 followed by appearances at Lincoln Center's Alice Tully Hall in New York, Queen Elizabeth Hall and Wigmore Hall in London, National Hall in Dublin and Suntory Hall in Tokyo. His performances have been enthusiastically received in many countries including Argentina, Brazil, Canada, Colombia, Cuba, Ecuador, Puerto Rico, France, Holland, Italy, Norway, Poland, Scotland, Spain, Sweden, Finland, Greece, Singapore, Germany and more.

Morel's musical career began in his native country or Argentina and his father taught him the rudiments of classical guitar at age seven. He went on to study advanced guitar at the internationally recognized Academy of Professor Pablo Escobar in Buenos Aires and after graduating joined Mr Escobar in radio and concert performances.

Morel left Argentina to perform in Ecuador, Colombia and Cuba, where he recorded his first solo LP and was featured in a weekly TV show. Vladimir Bobri, then President of the Classical Guitar Society in New York, lent his recognition and support to Morel after hearing him perform in Puerto Rico. This led to concert engagements in California and Hawaii and Morel's eventual debut at Carnagie Hall. At this time, he recorded his second LP for Decca Records and subsequently recorded three more albums.

After moving to New York City, Morel performed nightly at the jazz lover's haven, The Village Gate, owned by Art D'Lugoff who became his manager for a period of three years. During his performances at the Village Gate, he shared the bill with jazz legends such as Errol Garner, Stan Kenton, Herbie Mann and many others of great popularity. Around this time, Morel met Chet Atkins and established what was to become a life long friendship. Chet demonstrated his admiration for Jorge in a very tangible way when he helped to arrange for the recording of another album with RCA Victor. Mr. Morel was represented by Columbia Artists Management for a total of 7 years throughout the 1970's and toured all of North America and Canada performing approximately 70 concerts a year.

Morel continued to solidify his reputation as an outstanding artist and composer with the premier of Suite Del Sur, a concerto for guitar and orchestra, which he performed as soloist with the Los Angeles Philharmonic under the direction of Zubin Mehta. He continued his study of composition for a number of years with the late Rudy Schramm, respected teacher, author, conductor and arranger.